The Duchess of Kent channelled spring in a percher cocktail hat with pale pink base. The centrepiece of the hat was its trim- a large bouquet of silk flowers and leaves, ribbon loops and soft white feathers. We don’t see many percher hats on royal ladies of a certain age and while this one showed that Katharine’s millinery approach has stayed right on trend, the soft colours were very flattering and suited her well.
Lady Helen Taylor (the Duchess of Kent’s daughter) topped her floral appliquéd Erdem dress and coat with a coordinating embellished beret. In electric blue straw, the beret was trimmed with a side spray of white silk flowers and a tall swath of blue dotted net tulle. I assume the white flowers were added to tie in with the flowers on the dress but they didn’t work for me- the hit of white created a jarring contrast that put the whole outfit into ‘too much’ territory. With a fussy dress and coat, I think Helen would have done better with a less fussy hat.
The Duchess of Kent’s daughter-in-laws wore contrasting pieces in pale hues. The Countess of St. Andrews topped her oyster lace trimmed suit with a large picture hat. In pale beige straw, the hat featured a flat crown and wide mushroom brim. The hat’s only embellishment was a large bow which fanned over one side of the brim (you can see the bow here at 36:30). Lady Nicholas Windsor topped her pale pink suit with a Philip Treacy fascinator of purple orchids and swirling feathers. I thought the styling on Paola’s ensemble was perfect- her clean lined suit, simple jewellery and elegant up-do allowed this statement headpiece to be showed to maximum effect. I adored it on her.
The Countess of St. Andrews’ two daughters, Lady Marina and Lady Amelia Windsor, both chose black hats. Lady Marina wore a large lampshade hat in black and grey straw. The graphic stripes of straw on each layer of the tiered hat were countered by a massive and curvaceous grey straw bow on the back of the hat. The end result was a dramatic and very classic hat reminiscent of Audrey Hepburn in “Breakfast at Tiffany’s”. Lady Amelia wore a more streamlined hat in black straw with a diagonally raised brim and a wide white band around the crown.
Princess Alexandra topped her blue brocade suite with a monochrome picture hat. With a blue straw base, the hat was covered in ruched silk organza and trimmed at the side with large blue silk roses and gold feathers. While the overlaid fabric on the hat gave considerable texture, it combined with Alexandra’s suit to make and ensemble suffering from fabric texture overload. I think this hat would have worked better sans overlay, keeping those romantic floral embellishments.
Julia Ogilvy, Princess Alexandra’s daughter-in-law, topped her taupe dress and ivory lace coat with a cream straw picture hat. The streamlined Philip Treacy design was simply trimmed with a band around the crown and a signature Treacy large flying bow.
Princess Michael of Kent chose characteristically dramatic millinery for this event. While her white picture hat followed a fairly traditional shape, the scale of the wide cartwheel brim was larger than life. The huge hat was trimmed with a wide scarf of ruched silk that looked to be effortlessly thrown over the hat. Marie-Christine wears dramatic hats so very well and this was no exception. I adore the wide brim and appreciate the way the large scale hat balanced her shiny satin Andrea Odicini jacket.
One of the newest members to the British Royal Family, Lady Frederick Windsor wowed with her millinery choice at this event. Designed by Philip Treacy, Sophie’s navy straw hat featured a moulded crown (as opposed to a seam-joined crown) with wide, oval brim. The elliptical brim was balanced by another Treacy signature multi-looped flying bow. While very simple, the hat is quite a bold design. I particularly loved the way the asymmetrical hat both complemented and contrasted against Sophie’s streamlined Armani coat and dress.
Wearing one of my favourite hats at this wedding, Lady Gabriella Windsor was a vision in peacock blue. Her vibrant picture hat featured an upturned ‘slice’ brim which was trimmed with large silk roses and an arrow feather. The shape was wonderful on Garbiella and I adored how her pale seafoam coat and dress created just the right background for her bright hat and matching purse to ‘pop’. This slice hat is a slightly smaller scale than others in this same style and while it works wonderfully as is, I think it could easily have handled an up-sizing.